Research musings: a direction presents itself…

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Having created a number of visual pieces in recent months, many of which have been in response to, or using Jackson Pollocks later ‘pour’ paintings as a theme (see previous blog posts) I have been unsure as to the positioning of these pieces within a wider narrative of my current research concerns. Indeed, up to a point I have been unconcerned as to their apparent lack of conceptual context as primarily, they have acted as an outlet through which I have been able to tentatively feel my way back into some sort of a studio practice. Continue reading

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Research Observations: improvisation

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Research Observations:

Below are a series of observations obtained during the recent collaboration on ‘The Landscape Scrambler’ project. Some are more closely associated with the nature of this particular project itself, whilst others, I hope, are more general observations upon the nature of improvisation. Continue reading

The Landscape Scrambler

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I have recently returned from China on my latest visit, where, amongst other things I completed another project with longtime collaborator the Three Legged Bird (a collaborative platform for experimental animation and film making) I have worked with the Three Legged Bird on a number of projects now, the most recent entitled ‘The Landscape Scrambler’. Continue reading

profound wisdom / insight of the day #3

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“In so far as I listen with interest to a record, it’s usually to figure out how it was arrived at. The musical end product is where interest starts to flag. It’s a bit like jigsaw puzzles. Emptied out of the box, there’s a heap of pieces, all shapes, sizes and colours, in themselves attractive and could add up to anything–intriguing. Figuring out how to put them together can be interesting, but what you finish up with as often as not is a picture of unsurpassed banality. Music’s like that.”

Derek Bailey, Derek Bailey and the Story of Free Improvisation, 2004