Profound wisdom / insight of the day#

“The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement.”

Brian Eno

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Studio Diary: 22/02

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The painting surface is a much more sparsely populated space with a more disciplined application of pigment. The tar-like black enamel paint (often applied using a turkey baster) pools onto, and bleeds into the un-primed canvas creating rich variations in texture and mark. Pollock’s wife, and fellow abstract painter Lee Krasner described these pieces as ‘painting with the immediacy of drawing… a new category’, a fitting analogy that closely captures the paintings direct and transient nature.
Painting with the immediacy of drawing: 15th March 2016

22/02/17
Painting with the immediacy of drawing:

There are some interesting elements arising from the continuous exploration and development of the ‘synthesis studies’:
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Research Observations: chance vs accident

 

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For a long time now I have identified in myself a predisposition to get easily sidetracked and distracted, a penchant perhaps to intellectually ‘wonder off’. A habit I have long since been aware of, and indeed referenced numerous times in new year resolutions, (see my Continue reading

Studio diary: 20/02

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Painting offers a way of working through an idea. Especially when working through a monochromatic palette without the distraction of colour. Even mindless painting without a clear agenda or goal insight will often generate something poignant or worthy of further exploration. 11th January 2017

I have long since admired Drawing’s immediate nature, Continue reading