Studio Diary: 22/02

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The painting surface is a much more sparsely populated space with a more disciplined application of pigment. The tar-like black enamel paint (often applied using a turkey baster) pools onto, and bleeds into the un-primed canvas creating rich variations in texture and mark. Pollock’s wife, and fellow abstract painter Lee Krasner described these pieces as ‘painting with the immediacy of drawing… a new category’, a fitting analogy that closely captures the paintings direct and transient nature.
Painting with the immediacy of drawing: 15th March 2016

22/02/17
Painting with the immediacy of drawing:

There are some interesting elements arising from the continuous exploration and development of the ‘synthesis studies’:
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The Landscape Scrambler

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I have recently returned from China on my latest visit, where, amongst other things I completed another project with longtime collaborator the Three Legged Bird (a collaborative platform for experimental animation and film making) I have worked with the Three Legged Bird on a number of projects now, the most recent entitled ‘The Landscape Scrambler’. Continue reading

Huanghuai University

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I have just returned from China having spent October and November teaching ‘Graphic Representation’ – a first year Fine Art module at Huanghuai university, Zhumadian in China. The module incorporated drawing, printmaking and photography topics and was delivered to a group   of 105 first year Fine Art students. Continue reading